|
Travis Jeffrey is in the gallery's current exhibit, "Obsessions with Parts & Pieces", a dual solo exhibit with artist Polly M. Law, and his third major exhibition with the gallery, bookending a 28 year relationship with Albert Shahinian Fine Art. A former resident of the Hudson Valley, NY, Jeffrey now lives in Saranac Lake, NY. He has had an innate interest in assembling collage and art objects, and has been formally doing so for over 40 years. Studying the work of Max Ernst, Hannah Hoch, Kurt Schwitters, Robert Rauschenberg, among others, he found kindred spirits - especially in process and philosophy.
His collages initially focused on small-scale (actually, 5 x 7 inch post card sized) creations that were easy to transport and work on, given his, then, "real" work. That work included stints as Hudson River Sloop Clearwater on-board educator (where Albert Shahinian, as one of the crew, first met Jeffrey); Sloop Captain (complete with official Coast Guard license); and, as an integral part of the Sloop Singers. (Jeffrey is a protege of Pete Seeger, from whom Jeffrey honed his guitar, banjo, and singing skills.)
Off "the boat", Jeffrey expanded his art to include painting and sculpture, sometimes on a large scale and infused with whimsy and social commentary. The main source of material for Travis's delicate works on view are images and illustrations cut from old books dating from the 1880's to the 1960's. (Sourcing these becomes increasingly more difficult!) This requires a different process than printing out images (for assemblage), and the particular quality of paper used in old books is, in itself, an intrinsic part of his finished work.
Meticulously cut and combined, his assemblages most often present a theme of wondrous living things - fish, butterflies, eggs - alongside products and machinery of wondrous human cleverness: Begging the question, "What is all that cleverness leading to?" Many of the titles given his work imply his own personal view of possible subject matter. These titles may or may not be useful or intriguing to anyone else, as the collaborative interaction between viewer and work is unpredictable. While fixing up his home and working on other construction projects, he has come upon troves of found materials that have become additional components of his art.
(Artist narrative continues after images.)
|